Back to top
Puer Kim [Purifier] is out now!
My auntie put this moving crab right next to my pillow to scare me and ridiculously I did get freaked out when I woke up. She said so from now on, I’ve got at least one nice episode to remember after she dies. She cracked up badly.
Map at Stromovka, 2014 
Darkside Live in Seoul 
퓨어킴 [PURIFIER] Teaser Image2014/09
Photo by Hasisi Park http://facebook.com/officialpuerkim
2014, a crack of shooting 
A gap between shooting, usually there’s a crack. It wedges into the other dimension, splits a moment and spreads whole different vision which looks exactly same as where I am at, in and on but strangely the shadow never seems to get caught by my lens and so its weight and size disappears. What I’m saying is, I guess, there’s my moment created by not me when I’m not with a camera. 
 I like looking at things through a camera lens, love the feeling of being blocked, totally and simply alone. Although sometimes the subject make eye contact with me, still I feel alone and get aroused, which doesn’t necessarily relate to voyeurism I would say, then what, something else, perhaps a selfishness? independent spirit?  Would it be sexual anyway? 
 Back to the crack, it gives me such a pleasure. It’s most likely a bag of Margaret (Cookies) on a location tea table. That pleasure, however, I’d like to just stare at it rather than shooting. I see and enjoy the crack and close my eyes to memorize it instead of leaving one memorable photograph. 
We, several photographers talked about this crack a few times recently and I guess it’s a common issue to people whether they should hold a camera or not for a immortal moment to CAPTURE what they see. I’ve always thought that a man make the moment immortal but since I run into the crack, things are different and undefinable. 
Sodam’s Single DEAR. out now 
Artwork & Photography by Hasisi Park 
羊をめぐ る冒險, Jeju, 2014 
Tangerine, Jeju, 2014
Hairy Branch, Jeju, 2014 
Symbiosis, Jeju, 2014